Citrus season has begun

The new crop of oranges and grapefruit are ready, and so am I. Here’s our stash ready to share with friends and family over the Thanksgiving holiday.

Another thing I like about citrus season is the bags the grower gives me. They are great to cut up and use as stencils, rubbing plates, and other textural applications.

Happy Thanksgiving

I’m so enchanted by the images from the New York Public Library Digital Collection.

Enjoy the holiday!

Class at the Sewing Garret

Today I taught a class at the Sewing Garret, a quilt shop in Daytona Beach. We had a great time learning some basics of coaster construction, and making three different samples. I hope to be teaching another class on introduction to art quilting in January.


We did a bleach discharge technique which was new to most of the class. Lots of fun! For more information, click on the previous posts
coasters
bleach technique

My favorite painting product

Last year I took an online class, Color Beyond the Basics taught by Julie Prichard and Chris Cozen. I learned a lot about mixing paints, and I use the reference sheets I created every time I get out my paints.

One of the products I was introduced to was Acrylic Glazing Liquid. This stuff is wonderful. It does all the things Golden says it does in their product information sheet, but here’s how I use it.

1. Mix with acrylic paints to give more open time. Acrylic paints dry very quickly, glazing liquid mixed with the paint gives about 30 minutes of time to work.

2. Increases the transparency of paints. Mixed 1:1, you get the open time, mixed 10:1, your paints become transparent. Sure you can use water, but many paints separate with added water. The AGL gives great “brushability”.

3. Paint that has dried on your palette can be revitalized with a squirt of AGL.

4. Paintbrushes that have mistakenly been left to dry can be restored with an application of AGL. I had a $20 brush I thought was a goner, and AGL restored it.

5. Mistakes on your project can be erased with AGL.

It comes in both gloss and satin finish. I use the gloss because the satin finish has an ingredient that makes it somewhat opaque. The gloss is totally clear when dry.

Love it!

Great Days in the Studio

Yesterday morning the studio was brightly sunlit, and I began a painting project. In a previous post I wrote about how I use leftover paint to paint pages to use in later projects. I pulled out some of those pages and set them aside for further embellishment.

I gathered my supplies, paints, stencils and stamps.

I spent the morning, painting papers, and of course making some new pages with the left over paints.

I wanted a variety of colors in lights and darks, as well as bright and dull pages. Since my sketchbook pages are painted on both sides I painted both sides which doubles my options in using them.

I let them dry overnight and this morning I painted them with soft gel gloss mixed with iridescent paint. The soft gel makes them soft and pliable so they can be stitched by hand or machine. The addition of a little gold paint to the soft gel gloss adds a bit of sparkle and unifies the pages.

Alas, every good party must come to an end.

I’m working on a project using these papers which I plan to submit for publication. Yikes! I’ve said it out loud!

Completed coasters

I made these coasters to go with the new placemats and napkins I made a few weeks ago. Company is coming this week, so I am ready.

What I’m reading

I finished Freedom by Jeffrey Franzen. New book, lots of hype, but I liked it a lot. It was a very complex plot with lots of layers and recurring themes. Just what a great novel is supposed to be.

I took a break from current fiction and read The Good Earth, Pearl Buck’s Pulitzer prize winner from the ‘30’s. Excellent book, I understand how it has stood the test of time.

Ken Follett, World Without End is 929 pages of medieval history. This book has it all, sex, politics, back stabbing, black death, murder and romance. It was a page turner.

Loving medieval history, I couldn't help myself and started reading Ken Follett's companion to World without End, Pillars of the Earth. It was 983 pages long. More sex, treachery, concealed identities, and of course murder. The book culminates with the murder of the Archbishop of Canterbury, Thomas Becket in 1170.

Although I read it a couple of years ago, another medieval history novel was Year of Wonders by Geraldine Brooks. It's about a village affected by the plague that cut itself off from the outside world to prevent the villagers from leaving and infecting others.

For non-fiction, I read The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century by Edward Dolnick. . Makes you wonder how many fakes are hanging in museums. Very good book.

Bury Your Dead, by Louise Penny. I do not recommend. It's about a murder investigation in Quebec. I don’t have enough background in Canadian history, especially Quebec separatists, to appreciate it. Don't know why I continued to read it except it had a mystery and I wanted to know what happened.

Cutting for Stone by Abraham Verghese. An absolutely splendid novel about complicated family relationships centered on twins abandoned at birth. Set in a mission hospital in Ethiopia and an urban hospital in the US, it was a fabulous book. Highly recommend.

Next up: A Tale of Two Cities. Charles Dickens classic about the French revolution. My sixth grade teacher read this book to us every day after lunch. I can remember the whole class being mesmerized by the story. Last year I read Anthony Trollope's The Way We Live Now, a loooong Victorian novel about greed, politics, power and financial ruin.

Eco Garland

No matter what the project, whenever I get out my paints, I also get out 5 or 6 inexpensive sketchbooks to paint pages using the excess paint. Paint is too expensive to throw away, not to mention the harm it does to the environment in washing it down the sink. So I use what’s left over to paint the pages, sometimes going back again to add stamping or textural techniques. I have no plan, not even a color scheme in mind.

This week, I coated some of the pages in soft gel medium mixed with just a bit of gold iridescent paint. I did this on both sides. Then I cut out Christmas ornament shapes. I used a decorative punch on the left over paper to make some stars and put them on with gel medium too. With the paper now stabilized it was easy to sew, and I knew it wouldn’t rip out. I used a zigzag stitch and sewed them together, punched a hole in either end and ran yarn through the holes to create a way to hang them.

Since the paper is painted on both sides, the garland is reversible.

I’m not finished with this idea yet. I see a lot more possibilities.

Happy Halloween

Anniversary

40 years ago today, Tom and I were married. From the photos we looked very much in love, we still are.

Happy Anniversary!

New Placemats and Napkins

The placemats and napkins I made a few years ago have become worn and stained. Time for some new ones. I started out to just make eight. When they were nearly competed I looked at all the white on them and started thinking about BBQ sauce spills and decided I would just use them when we had guests at the table. I used those four feature fabrics in all the placemats, but put them together so each mat is different. It’s a variation on the Lazy Girl pattern.

I had a lot of scraps left over, so I made these string ones for everyday use.

The napkins are two sided and serged with a rolled edge. I have a lot of bindings to hand stitch, but I enjoy doing that.

More Advent houses

Take a trip over to Lisa Cox’s blog spoonfullofsugargirls. She has posted a photo of my Advent houses. She’s the talented creator of the original pattern featured in Quilting Arts Gifts, and I was honored that she asked to post the photo on her blog. They have already left my home as a gift for Laurel and Jeremy. I just may have to make another set for me.

Mad Men

Tonight is the season finale of Mad Men. I am a fan. I love the sets, the clothes, the music, and of course, Don Draper. It’s the 60’s only better. The first time I saw it, I was reminded of the Broadway musical, How to Succeed in Business Without Really Trying. In the early ‘70’s I had a part in a local production in Madisonville, KY. We practiced all summer and put on the show the last week of August. I was a member of the chorus and have never forgotten the number, “A Secretary is not a Toy.” Here’s a video from the 1967 film production.

Switching Gears

I recently made a list of things I wanted to accomplish in the studio. Some things are wet work, others strictly sewing machine and ironing board. Today I did some prep work with adhering paper to fabric.

I reworked some pieces that I didn’t like and made a couple of new ones in preparation for making more Christmas garlands, like this.

I’m thinking of making some of them vertical. I have some time to think about it because the next step is painting the paper and adding embellishments.

As soon as I get my studio cleaned up, and make sure my iron is ready to work with fabric, I’ll begin work on some placemats for Chez Clayton.

Virtual Open Studio Tour

Thanks for visiting on the Cloth Paper Scissors Virtual Open Studio Tour. Welcome to my studio. I am lucky to have an extra bedroom in our home to use as my studio.

We’ll start in the corner with my sewing table. I invested in this table six years ago, and I’ve never been sorry. When I am working on a big quilt, I can pull it away from the wall and open up the drop leaf to double the surface. The roll around carts hold threads and notions. I’ve recently put up my serger and find I use it more often.

Moving clockwise, is my design wall and closet. I took the doors off the closet and put up a curtain rod. The curtains are normally open, but I can close them when overflow guests need to use the studio as a bedroom. My design wall is floor to ceiling, about 8 feet wide. It is thick Styrofoam insulation covered with cotton quilt batting, and I could not get along without it. It’s big enough for a large bed quilt, but usually has inspiration photos, and in process projects displayed on it. I only showed half the closet, the other side looks worse than this one, and it never gets any better than this.

I’ve been so inspired by the Quilting Arts Gifts Magazine projects that I have put up some of those projects for decoration. For details on the Advent houses, click here. For a post relating to the stockings, click here. For the vertical bird strand click here. For the Christmas garland, click here. The green squares are destined to become coasters. For more info on the coaster project click here.

Moving clockwise from the closet is my ironing/cutting/work table. The table is an inexpensive one I purchased about 7 years ago at Jo Ann Fabric. It folds up to just 12” wide and is on casters. The thing I like best about it is the ironing pad that goes with it. I’ve been through about 4 in the life of the table.

Continuing clockwise, are my bookcases. These were “repurposed” when I changed some furniture. In the ‘80’s they were in our living room, in the ‘90’s the girl’s TV room, and now in my studio.

The thing that makes my studio work for me is the work triangle I created. I can move easily between the three main areas, design wall, cutting/ironing table, and sewing table.

Adjacent to the studio is a bathroom. I should keep it neater than I do, but it’s where I wash brushes and clean up. It has a door that opens to the lanai where I have a clothesline strung.

Thanks for visiting!

Christmas Countdown Village

When I saw the cover project from the latest issue of Quilting Arts Gifts Magazine, I knew I had to make these little houses. They are designed to hang on the tree or on a garland, and the idea is the fill the back pockets with treats, messages and trinkets to discover each day in December before Christmas. I just love the way they look hanging together.

Designing the roofs, windows and doors was fun, and suprizingly I enjoyed sewing the blanket stitch numbers for the back pockets. If I did them again, I would used fusible web on the back of the doors and windows to control raveling.

A new Christmas stocking

My daughters rejected new stockings, preferring the ones I made them over 25 years ago, which have grown a little grubby over time. And might I say, they are a bit juvenile. However, we do have traditions, and nothing brings out tradition like the Christmas season. Having no matching stocking for Jeremy, he gets a new one. I chose Jane Davila’s pattern in the latest issue of Quilting Arts Gift magazine. Fun to make! I’ve been trying to figure out how to get his name on it, and the idea of using waste canvas and doing cross stitching on just occurred to me. Wonder if they still make it?

Yes, they still make it. I found some in 14 and 10 stitches per inch. I started with the 14, and couldn’t see where the stitches were supposed to go. I switched to the 10 canvas. It was a little better, but I could only work on it in direct sunlight. Gotta get my glasses changed.

Heroic Stitchery

Every now and then I find a gem online. Have fun with this one.

Find your color personality

Better Homes and Gardens offers this quiz to help you decide what color to paint your walls based on your answers to eight questions. My color personality is yellow. Yellow? Not much yellow in my house, but lots in my garden, so maybe that’s it. I was a bit uncertain about some of my answers, so I took it again. Chose Scotland over Rio, and it came up green. Mix them together and you have chartreuse, one of my favorite colors. What color are you?

To celebrate yellow, here are a couple of photos Tom took at the dahlia garden at High Hampton Inn in 2008

Japanese Stab Binding

I told myself before my surgery that I was going to learn another bookbinding technique, and last night I cut the pages and cover. Today I watched two videos that gave step by step instructions. Here’s my first effort at Japanese Stab bookbinding. It really was very easy. I’d put the holes closer to the edge next time.

Tutorial turns into class

I’ve never made money with my art. I’ve had a few commissions for art quilts, done a store display quilt and sold some baby quilts. Mostly I just spend time in my studio because I enjoy it, and give the resulting projects to my friends and family. I recently stopped in the Sewing Garret a quilt shop near my home. I wanted to buy some Kona cottons to do bleach discharge. The salesperson asked me what I was going to do with the fabrics I was buying and I told her about my project. She was interested, and asked me to bring samples. After seeing the samples, she put me on the calendar to teach a class on coaster construction and surface design in November. It will be fun!

We’ll do some sewing with scraps and decorative machine stitches, we’ll learn two easy methods of coaster construction, and we’ll do some discharge dyeing with bleach pens. I’ll have lots of ideas on how to translate these techniques to other projects.

1—couched threads

2—bleach discharged on black fabric quilted with metallic thread

3—bleach discharged fabric thread painted with multiple threads

4—scraps and decorative stitches

5—scrappy background with fused and stitched elements

6—scrappy background diagonal format

7—bleach discharged fabric quilted with fluorescent thread

8—bleach discharged fabric with machine and hand stitching

9—easiest of all, simple fabric coaster

Collage Lab—Cardboard Substrates

Today I worked on Lab 5 in Bee Shay’s book Collage Lab. I cut and distressed the cardboard to reveal a lot of the ridges, then I prepped the top row of the samples with white gesso. The second row was prepped with matte medium and the third row was not prepped.

Next I painted the samples

The first column was painted with full strength olive green paint.

The second column was painted in a 50/50 wash with turquoise paint

The third column was painted with a vivid lime green

The fourth column was painted with a blend of titan buff and a robin’s egg blue.

I’m already liking how the ones prepped with gesso look.

For the final coat I did a dry brush technique with yellow paint on the olive green column

On the second column I did a dry brush with full strength turquoise mixed with a little bit of bronze iridescent.

On the third column, I did a wash of 50/50 turquoise. It really toned down the brightness of the vivid green.

For the fourth column I did a dark blue ink wash (50% water)

The last piece in the photo was an un-prepped piece I painted when I had paint left over from other samples. I think I’ll lighten it up and try the tissue paper overlay that Bee Shay writes about in her blog.

Lab notes: I liked the samples that were prepped with gesso the best . The colors were truer since they weren’t influenced by the color of the cardboard.

After the pieces dried, the green gold pieces were really ugly. I added a 1/1 mix of light aqua paint and acrylic glazing liquid. I colored the extra piece that was dark turquoise as well. I liked it so much when I was finished that I followed Bee’s lead by writing on tissue paper with a Pitt artist pen and adhering it to the cardboard with matte medium. I’ve got a plan formulating for how I will use it.

Bleach Discharge Coaster Tutorial

I was inspired by Kelly Nina Perkins article in the most recent issue of Quilting Arts Gifts. She discharged fabric with bleach and made mini quilts then assembled them into gift boxes. I decided to do a quicker project and just make a set of coasters with some flat surface design elements.

Select fabric to discharge

You can try commercial printed fabrics, but my best luck with fabric discharging has been using Kona cotton solids by Robert Kauffman. I chose a green for this project

Discharging the fabric

I used a new Clorox bleach pen (they do lose effectiveness over time) and made some doodles with the small end of the pen. It took about a minute to begin discharging the color. I immediately put the fabric in a bucket of water and swished it to remove the bleach and then washed it in the machine

Making the Coasters

I cut the discharged fabrics to about 5” square and adhered them to lightweight stabilizer with temporary adhesive spray.

Next I did free motion machine and hand stitching. I used rayon 40wt thread for the machine work, and a beautiful rayon metallic thread for the hand work. My friend Sue gave me this gorgeous metallic thread a few years ago. It is too heavy for conventional machine sewing, but works fine for bobbin work. I did hand stitching today, maybe next time I’ll do some bobbin work.

Next I trimmed them down to 4 1/2” square and cut backs out of a contrasting fabric. I also cut 3 3/4” squares out of heavy interfacing, like Timtex.

On the wrong sides of the backs of the coasters I ironed on some wonder under which helps to stabilize the back when you are turning the coasters right side out. I cut a 2” slit through the stabilizer and the coaster back, and removed the paper backing.

While I had out the iron and the stabilizer, I ironed wonder under to 1" x 3” strips which will later be used to cover the hole in the back of the coaster.

Next I matched the coaster fronts to the coaster backs, right side together and stitched around all four sides. Remember that slit you cut? That is how you will turn it right side out.

?

Next I clipped the corners and turned the coasters right side out, and stuffed them with the heavy stabilizer. (the pin is only to hold the stabilizer together for the photo)

Iron the 1”x3” strips to the backs of the coasters to cover the slit, and sign if desired.

Finished!